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Where the most Inspired Musicians
become the most Inspiring Music Teachers

Fretwire: A Comprehensive Method for Teaching Class Guitar

Date

September 18-December 8, 2023

Course Code

7673

Credits

3 Graduate Credits

Tuition

$1,125 is due in full with registration. A $15 Early Bird Discount will be applied until August 31.

Course Description

This course is for class guitar teachers who are looking for an innovative curricular tool to teach their students the fundamentals of guitar performance.  Fretwire is a powerful learning management system specifically for guitar offered through VanderCook College of Music.  Fretwire can administer a full year’s guitar class instruction, organize assessments, and much more.  If you teach band, orchestra, choir, or general music but need some help with your guitar courses, this course and program are for you.  

MECA students who enroll in “FretWire for Beginning Guitar” will go through a portion of the Fretwire curriculum just as their students would.   They will learn how to play open position chords, read melodies in 1st position, improvise using a blues chord progression, and perform a 12 bar blues with a partner or pre-recorded part.  Because FretWire comes with lesson plans, 300+ instructional videos, and weekly assessments, the teacher will then be able to teach their guitar classes knowing they have all the necessary resources to succeed.

Instructor

Matt Hudson

Matt Hudson (MMEd ‘10) is a jazz guitarist from Erie, PA, currently teaching guitar and band at Chicago High School for Agricultural Sciences. Hudson began his formal music studies at the University of Pittsburgh in 1999. He won the Mellon Bank Jazz Scholarship, which gave him the chance to study with saxophonist Nathan Davis and world-renowned guitarist Joe Negri. Hudson has a voracious appetite for jazz improvisation and studied many eras of the form with a particular emphasis on blues and bebop. He became a regular fixture at jam sessions in Pittsburgh and by the time he graduated in 2003, he was performing in many top venues with artists such as Gene Stovall, Reggie Watkins, The Marvelettes, Jay Willis and Curtis Fuller. By the end of that year, Hudson decided to settle in Chicago to pursue creative opportunities that blended r&b, hip hop, jazz and rock. This began a fertile period for Hudson marked by collaborations with William Kurk Enterprise, Siji, Aaron Getsug, Scott Hessy and Karl E.H. Siegfried. In 2006, Hudson met producer and DJ Anthony Nicholson and his son Quincy Nicholson. This began his affiliation with the jazz recording group Scientific Map. Over the course of five years, this group recorded and toured in support of releases for the Imaginary Chicago Records label.

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